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He ",leans in", on outer space, kicking the bucket and how to stay married. The post A Deep Conversation With Jeff Bridges appeared first on SPIN. A Deep Conversation With Jeff Bridges.
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On the other end of the phone, I heard the gravel-toned voice belonging to 72-year-old beloved, legendary actor, musician, and philanthropist Jeff Bridges. All it took was his “Good morning!†to conjure the image of him behind the wheel of a well-worn country pick-up truck, waving, as he ambles up my make-believe driveway toward my sprawling, somewhere-out-West front porch. The truck bed, loaded with bushels of peaches. Or explosives. Or both. Bridges has been through the ringer the last two years. In October 2020, he was diagnosed with non-Hodgkin’s lymphoma and then, after successful chemotherapy treatments, spent five weeks in the intensive care unit after a near-death bout with COVID-19. He eventually recovered and returned to work. He’s currently playing Dan Chase, an ex-CIA officer on the run, in FX’s seven-part limited series/political thriller, The Old Man — based on the namesake novel by Thomas Perry — airing on Hulu. The Old Man (co-starring another legend, John Lithgow) is Bridge’s first return to television since appearing in Sea Hunt (1958-1960), with his late father, actor Lloyd Bridges, when he was eight years old. Yes, Bridges appeared in other TV series since then (who can forget him as Cal Baker in Lassie or Hawk in The Most Deadly Game ), but those were one-off episodes. In The Old Man , as he has done over his seven-decade career (his first screen appearance was a baby in the arms of actress Jane Greer in the 1951 drama The Company She Keeps ), Bridges earns our adoration by imbuing folksy Vermont widower Dan Chase (who is also the kind of man once known as “The Beast Who Eats Everythingâ€) with breathtaking moment-to-moment authenticity. It’s why we love him: his nuanced work lays bare the inner lives of the men he inhabits and revelations about the human experience. In performances that range from small-town Texas football captain Duane Jackson, in Peter Bogdanovich’s The Last Picture Show , which garnered the then 21-year-old actor his first Oscar nomination, to his famous herb-induced “go with the flow,†Jeff Lebowski, aka The Dude in the Coen brothers’ film The Big Lebowski , and a host of thrillers, Westerns, buddy flicks, dramas, and dark comedies, between and after: think The Fisher King , Fearless , The Fabulous Baker Boys and True Grit , Bridges shows us that sometimes, we relish the fruit of our efforts. Other times, we find our world blown to smithereens. Advertisement. Advertisement. Advertisement. Advertisement. “Unlike a lot of parents in the entertainment business, mine encouraged me to go into acting, they loved it so much,†Bridges gushed about being raised in his Hollywood family with his mom, actress Dorothy Bridges, his dad, Lloyd, and older brother, actor Beau. “I wanted to do other things, but my dad said, ‘Jeff, don’t be ridiculous. The wonderful thing about acting is that you have to call upon all your other interests ⎯ you’re going to have opportunities to do your music and your art.’ And I’m glad I followed his instructions because he was right. True that. In 2007, Bridges channeled his lifelong love of music into an Oscar-winning portrayal of washed-up, alcoholic country singer Otis “Bad†Blake in Crazy Heart . I had plans to talk about his relationship with longtime friend and producer T. Bone Burnett, who scored the haunting music for The Old Man , and his band Jeff Bridges and The Abiders. I also wanted to know more about his role over the last 12 years as the national spokesperson for Share Our Strength’s No Kid Hungry campaign to end world hunger. I also wondered if he was ever mistaken for Jeff Daniels. I covered little to none of it. After “Good morning!†I asked Bridges what had “hooked†him about the character of Dan Chase. The themes of The Old Man became a leaping off point for a conversation about his spirituality, lessons the universe wants to teach us, humans as superorganisms, the Hubble telescope, truth, the secret to his 45-year marriage to Susan Geston, and love. Jeff Bridges was at the wheel, alright. And he was bringing me juicy morsels — and truth bombs — about life. This is what happens when dudes don’t abide. They die face down in the muck. Credit: Prashant Gupta/FX. SPIN: Your new series, The Old Man , resonated with me as a story about identity, and the internal truth of who we are, as much as it is about the roles we play, and the choices we make. What did you see in this character of Dan Chase that hooked you? Jeff Bridges: Well, it’s interesting that you bring up some of the themes of identity, that certainly intrigued me, as well as this idea of consequences. As far as the identity idea, I think our identity is quite a mystery: I don’t think we entirely understand ourselves or know who we are. And what we do has consequences — sometimes we think we’re making very righteous choices in our lives, and turns out that those were wrong choices. And vice versa. It is funny, and very mysterious. Advertisement. Advertisement. Advertisement. Advertisement. Can you share a bit more about the mysteries of who we are, and how that’s connected to your spiritual worldview? My spiritual path crosses a lot of different lines. I feel most alive, with kind of a Buddhist philosophy. In The Old Man , we were fortunate to have Christopher Huddleston, an actual CIA operative. We talked extensively about his personal philosophy, and he turned me on to stoicism. In deeper studying of it, the parallels with Buddhism, and some of my other spiritual explorations, I learned that they all relate to each other. With stoicism, my initial reading was a book called The Obstacle Is the Way [by Ryan Holiday] which reminds me of a lot of the Buddha’s teachings: leaning into what you think is the problem rather than trying to avoid it. Lean into that, and that’s your next spiritual class, so to speak. I’m quite interested in a phrase called emergent behavior — it relates to a system, like a murmuration of birds, or fish schools. They make their shape in a collective way, almost like a superorganism. But we are a superorganism. Each individual is part of this human superorganism. Bucky Fuller, the guy who invented the geodesic dome, made an interesting observation about ocean-going tankers, and what a challenge the engineers had in creating these huge ships. A big rudder was going to turn these ships, and they found that it took too much energy. So, they came up with a wonderful solution by creating a trim tab, a very little rudder on the big rudder — the little rudder turns the big rudder, and then the big rudder turns the ship. Bucky made a beautiful metaphor for how individuals affect our culture and our society, that we’re all in fact trim tabs. We affect what this superorganism is going to be. And it’s kind of mysterious. Follow your heart, you know, whatever it is, but there’s so many different hearts. And the truth becomes so subjective that one we’re not really aware of the actual truth. I read a phrase the other day that struck home — â€the truth is oneness, everything else is facts.†And I’m also fascinated with the Hubble telescope and looking to space — we’re very close to looking back to when the Big Bang happened. And I was seeing these photographs and noticed these huge galaxies looked like they’re spinning clockwise, and some are counterclockwise. And I said, what’s that about? So, I googled that, and the simple answer I got was this: It depends on where you are looking at it. You’re on one side looking at it and it looks like it’s spinning clockwise. On the other side, it’s counterclockwise. Those are facts. But it’s not the truth.
Jeff Bridges as Dan Chase in The Old Man, the real attack dog in the show.
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He ",leans in", on outer space, kicking the bucket and how to stay married. The post A Deep Conversation With Jeff Bridges appeared first on SPIN. A Deep Conversation With Jeff Bridges.
ENTER TO THE SITE
On the other end of the phone, I heard the gravel-toned voice belonging to 72-year-old beloved, legendary actor, musician, and philanthropist Jeff Bridges. All it took was his “Good morning!†to conjure the image of him behind the wheel of a well-worn country pick-up truck, waving, as he ambles up my make-believe driveway toward my sprawling, somewhere-out-West front porch. The truck bed, loaded with bushels of peaches. Or explosives. Or both. Bridges has been through the ringer the last two years. In October 2020, he was diagnosed with non-Hodgkin’s lymphoma and then, after successful chemotherapy treatments, spent five weeks in the intensive care unit after a near-death bout with COVID-19. He eventually recovered and returned to work. He’s currently playing Dan Chase, an ex-CIA officer on the run, in FX’s seven-part limited series/political thriller, The Old Man — based on the namesake novel by Thomas Perry — airing on Hulu. The Old Man (co-starring another legend, John Lithgow) is Bridge’s first return to television since appearing in Sea Hunt (1958-1960), with his late father, actor Lloyd Bridges, when he was eight years old. Yes, Bridges appeared in other TV series since then (who can forget him as Cal Baker in Lassie or Hawk in The Most Deadly Game ), but those were one-off episodes. In The Old Man , as he has done over his seven-decade career (his first screen appearance was a baby in the arms of actress Jane Greer in the 1951 drama The Company She Keeps ), Bridges earns our adoration by imbuing folksy Vermont widower Dan Chase (who is also the kind of man once known as “The Beast Who Eats Everythingâ€) with breathtaking moment-to-moment authenticity. It’s why we love him: his nuanced work lays bare the inner lives of the men he inhabits and revelations about the human experience. In performances that range from small-town Texas football captain Duane Jackson, in Peter Bogdanovich’s The Last Picture Show , which garnered the then 21-year-old actor his first Oscar nomination, to his famous herb-induced “go with the flow,†Jeff Lebowski, aka The Dude in the Coen brothers’ film The Big Lebowski , and a host of thrillers, Westerns, buddy flicks, dramas, and dark comedies, between and after: think The Fisher King , Fearless , The Fabulous Baker Boys and True Grit , Bridges shows us that sometimes, we relish the fruit of our efforts. Other times, we find our world blown to smithereens. Advertisement. Advertisement. Advertisement. Advertisement. “Unlike a lot of parents in the entertainment business, mine encouraged me to go into acting, they loved it so much,†Bridges gushed about being raised in his Hollywood family with his mom, actress Dorothy Bridges, his dad, Lloyd, and older brother, actor Beau. “I wanted to do other things, but my dad said, ‘Jeff, don’t be ridiculous. The wonderful thing about acting is that you have to call upon all your other interests ⎯ you’re going to have opportunities to do your music and your art.’ And I’m glad I followed his instructions because he was right. True that. In 2007, Bridges channeled his lifelong love of music into an Oscar-winning portrayal of washed-up, alcoholic country singer Otis “Bad†Blake in Crazy Heart . I had plans to talk about his relationship with longtime friend and producer T. Bone Burnett, who scored the haunting music for The Old Man , and his band Jeff Bridges and The Abiders. I also wanted to know more about his role over the last 12 years as the national spokesperson for Share Our Strength’s No Kid Hungry campaign to end world hunger. I also wondered if he was ever mistaken for Jeff Daniels. I covered little to none of it. After “Good morning!†I asked Bridges what had “hooked†him about the character of Dan Chase. The themes of The Old Man became a leaping off point for a conversation about his spirituality, lessons the universe wants to teach us, humans as superorganisms, the Hubble telescope, truth, the secret to his 45-year marriage to Susan Geston, and love. Jeff Bridges was at the wheel, alright. And he was bringing me juicy morsels — and truth bombs — about life. This is what happens when dudes don’t abide. They die face down in the muck. Credit: Prashant Gupta/FX. SPIN: Your new series, The Old Man , resonated with me as a story about identity, and the internal truth of who we are, as much as it is about the roles we play, and the choices we make. What did you see in this character of Dan Chase that hooked you? Jeff Bridges: Well, it’s interesting that you bring up some of the themes of identity, that certainly intrigued me, as well as this idea of consequences. As far as the identity idea, I think our identity is quite a mystery: I don’t think we entirely understand ourselves or know who we are. And what we do has consequences — sometimes we think we’re making very righteous choices in our lives, and turns out that those were wrong choices. And vice versa. It is funny, and very mysterious. Advertisement. Advertisement. Advertisement. Advertisement. Can you share a bit more about the mysteries of who we are, and how that’s connected to your spiritual worldview? My spiritual path crosses a lot of different lines. I feel most alive, with kind of a Buddhist philosophy. In The Old Man , we were fortunate to have Christopher Huddleston, an actual CIA operative. We talked extensively about his personal philosophy, and he turned me on to stoicism. In deeper studying of it, the parallels with Buddhism, and some of my other spiritual explorations, I learned that they all relate to each other. With stoicism, my initial reading was a book called The Obstacle Is the Way [by Ryan Holiday] which reminds me of a lot of the Buddha’s teachings: leaning into what you think is the problem rather than trying to avoid it. Lean into that, and that’s your next spiritual class, so to speak. I’m quite interested in a phrase called emergent behavior — it relates to a system, like a murmuration of birds, or fish schools. They make their shape in a collective way, almost like a superorganism. But we are a superorganism. Each individual is part of this human superorganism. Bucky Fuller, the guy who invented the geodesic dome, made an interesting observation about ocean-going tankers, and what a challenge the engineers had in creating these huge ships. A big rudder was going to turn these ships, and they found that it took too much energy. So, they came up with a wonderful solution by creating a trim tab, a very little rudder on the big rudder — the little rudder turns the big rudder, and then the big rudder turns the ship. Bucky made a beautiful metaphor for how individuals affect our culture and our society, that we’re all in fact trim tabs. We affect what this superorganism is going to be. And it’s kind of mysterious. Follow your heart, you know, whatever it is, but there’s so many different hearts. And the truth becomes so subjective that one we’re not really aware of the actual truth. I read a phrase the other day that struck home — â€the truth is oneness, everything else is facts.†And I’m also fascinated with the Hubble telescope and looking to space — we’re very close to looking back to when the Big Bang happened. And I was seeing these photographs and noticed these huge galaxies looked like they’re spinning clockwise, and some are counterclockwise. And I said, what’s that about? So, I googled that, and the simple answer I got was this: It depends on where you are looking at it. You’re on one side looking at it and it looks like it’s spinning clockwise. On the other side, it’s counterclockwise. Those are facts. But it’s not the truth.
Jeff Bridges as Dan Chase in The Old Man, the real attack dog in the show.
Younger guys into older guys
Old women doing young men
Old women and young guys
Older woman younger man dating site